Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Track Listing - Disc 1.
Refugee's Theme. Weeping Meadow. Ode of Tears. For the Phrygian Land Vast Mourning. By the Sea. Depart and Eternity Theme. Rosa's Aria. Theme of the Uprooting I. Weeping Meadow II. Voyage to Cythera. On the Road. Track Listing - Disc 2. Andromache's Theme. Karaindrou: Anton Chekhov The Seagull.
The Seagull. Song Of The Lake. Karaindrou: Landscape In The Mist. Adagio - Father's Theme. In Vain The Sacrifices.
Karaindrou: The Price Of Love. Karaindrou: The Beekeeper. Farewell Theme. Theme Of The Lake. Hecuba's Theme II. Lament For Astyanax. Return to main site. View product. Simultaneously, she began to compose popular songs. Despite her training, she considers herself a largely instinctiv, self-taught composer.
That same year she scored her first film, Polemonta, a documentary by Dimitris Mavrikios. It was followed almost immediately with her debut in feature film for Takis Kanellopoulos' Chronicle of Sunday. Karaindrou met Angelopoulos in after composing the score for Hristoforos Hristofis' film Rosa, which won the Thessaloniki International Film Festival award; the committee was chaired by Angelopoulos.
Their first recorded collaporation was for his film Voyage to Cythera, and followed with The Beekeeper in , featuring saxophonist Jan Garbarek as a soloist. Karaindrou had been enamored with ECM's recordings in the mid-'70s and followed its catalogue closely; label artists Garbarek and violist Kim Kashkashian are among her favorite soloists along with longtime collaborator and oboist Vangelis Christopoulos.
Regarding the latter, Karaindrou has claimed in interview that the first time she heard the latter, his tone reduced her to tears. She and Angelopoulos worked together again in for Landscape in the Mist. That same year the composer signed to ECM; her recorded scores for the first three Angelopoulos collaborations were released as Music for Films in January of , and the score for the director's The Suspended Step of the Stork appeared the following year.
In , her score for Angelopoulos' Ulysses' Gaze was issued, including Kashkashian as a featured soloist. The film, starring Harvey Keitel, was the director's first to be widely screened in the U.
Although primarily aligned with the Greek film industry, she has also worked with noted European directors, including Dassin and Marker. In , her theatrical work for a new staging of Euripides' tragedy Trojan Women directed by Antonis Antypas premiered at the Ancient Theatre of Epidaurus. Fifteen thousand people attended; it was then taken on the road in and around Greece, with 15 further performances, concluding with a presentation in Cyprus.
Issued by ECM the next year, the score showcased a full choir and wide array of folk instruments. Next, she delivered 's epic concert retrospective Elegy of the Uprooting issued in Presented as "a scenic cantata" at the Megaron in Athens, it was a tour through her music for film and theatre, with musical themes newly combined and contrasted.
The two-disc set interweaved excerpts of her music -- from 13 different scores, spanning more than two decades -- with a choir, guest Maria Farantouri on vocals, and accompaniment by the Camerata Orchestra conducted by Alexandros Myrat. In , her score for Angelopoulos's Dust of Time was issued; it was the last soundtrack issued during his lifetime.
Also in , Karaindrou revisited much of her theater music for Concert in Athens, a live recording featuring oboist Christopoulos, violist Kim Kashkashian, and saxophonist Garbarek, as well as the composer herself. Following Angelopoulos' death in a car accident in , Eleni Karaindrou: Concert in Athens was issued in
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